Lockwood called it "one of the films I have enjoyed most in all my career. Any moles or flaws are usually Photoshopped out to create the image of beauty." Those with beauty marks in the 1800s would've likely felt anything but beautiful during a time when skin whitening recipes promising to "take away" freckles and moles were abundant. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). A good thing about fake moles is that there's zero risk of one turning into skin cancer. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. Julia Lockwood during filming for the BBC science fiction series Out of the Unknown in 1968. This film was a success, launching Lockwoods career, and Gaumont extended her contract from three to six years. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. She travelled to Los Angeles and was put to work supporting Shirley Temple in Susannah of the Mounties (1939), set in Canada, opposite Randolph Scott. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. For Black and director Robert Stevenson she supported Will Fyffe in Owd Bob (1938), opposite John Loder. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. [28] It was the last of "official" Gainsborough melodramas the studio had come under the control of J. Arthur Rank who disliked the genre. Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. Was a committed teetotaller all her life and detested the taste of This naturally raises the question: Why are there two different names? She likes what she likes, okay? Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. The latter title, a gothic melodrama, had been a hit for Gainsborough Pictures . In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. Omissions? Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). "I would get teased by the other kids in school, so I definitely wanted to get it removed," the supermodel told Vogue. Format: Originally recorded on 2 sound cassettes.Reformatted in 2010 as 3 digital wav files. Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. Trained on the stage, Lockwood made her film debut in 1935 and distinguished herself as the ingenue lead of Hitchcock's delightful suspenser "The Lady Vanishes" (1938) and as the vain wife of Michael Redgrave in Carol Reed's fine mining-town drama "The Stars Look Down" (1939). "[46], The association began well with Trent's Last Case (1952) with Michael Wilding and Orson Welles which was popular. The enormous popular success of this picture led to her second key role in 1945 (again with Mason) as the cunning and cruel title character of The Wicked Lady (1945), a female Dick Turpin. [54] She lived her final years in seclusion in Kingston upon Thames, dying on 15 July 1990 at the Cromwell Hospital, Kensington, London, from cirrhosis of the liver, aged 73. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. They did. [47], Her next two films for Wilcox were commercial disappointments: Laughing Anne (1953) and Trouble in the Glen (1954). The Getty Images design is a trademark of Getty Images. Articles from Britannica Encyclopedias for elementary and high school students. But as the film progressed I found myself working with Carol Reed and Michael Redgrave again and gradually I was fascinated to see what I could put into the part. Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). The title of The Lady Vanishes is thought to refer to the kidnapped British spy Miss Froy (May Whitty), but it is the prim lady in Lockwoods Iris Henderson that vanishes under the influence ofMichael Redgraves charming musicologist with his battery of phallic symbols. Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. In June 1939, Lockwood returned to the United Kingdom. "It is a mark of all that Shakespeare found indelibly beautiful in singularity and all that we identify as indelibly singular and beautiful in his work," the historian further added. Photograph: Cine Text/Allstar Sat 29 Nov 2008 19.01 EST No 37 Margaret Lockwood, 1916-90 She was born in India, a daughter of the Raj, brought up in England by a cold,. In 1938, she gave her best performance in the movie Bank Holiday; the film launched Lockwoods career. In the postwar years, Lockwoods popularity fell out of favor. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. Enjoying our content? These were standard ingnue roles. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. MARGARET LOCKWOOD Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. She was the female love interest in Midshipman Easy (1935), directed by Carol Reed, who would become crucial to Lockwood's career. The turning point in her career came in 1943, when she was cast opposite James Mason in The Man in Grey, as an amoral schemer who steals the husband of her best friend, played by Phyllis Calvert, and then ruthlessly murders her. Directed by: Leslie Arliss. Location: Fullerton, CA. 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. While Biography stated that no one truly knows if Monroe's beauty mark was real, drawn on, or accentuated with makeup, one thing is for sure: she helped propel the look into mainstream. As you now know, the 18th century was thetime for magnificent moles. Production Company: Gainsborough Pictures. But what better way to hide one of those "disfiguring scars" than with a cleverly placed beauty mark? The following year, she appeared at the Scala Theatre in the pantomime in the drama The Babes in the Wood. In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. She returned to the role a year later before achieving her dream of starring at the Scala as Peter Pan herself four times (1959, 1960, 1963 and 1966). had a bit part in the Drury Lane production of "Cavalcade" in 1932, Margaret Lockwood made her screen debut in the drama picture Lorna Doone in 1934. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. In 1980, she made her final professional appearance as Queen Alexandra in Royce Rytons theatrical play Motherdear.. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. Farid Haddad, managing director of BMA Models, told BBC, "Men and women are both expected to be 'flawless' in the fashion world. I dont believe in raising an only child. Simply put, if a person is born with a mole, it is then also considered a birthmark. I'll Be Your Sweetheart (1945) was a musical with Guest and Vic Oliver. And I loved it. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. I think they're the cutest thing. The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. If a woman were to wear the appliqud beauty mark on the left side of her face, this would mean she supported the Tory political party. One of those famous faces was Marilyn Monroe. "[11] Hitchcock was greatly impressed by Lockwood, telling the press: She has an undoubted gift in expressing her beauty in terms of emotion, which is exceptionally well suited to the camera. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. "[10], She did another with Reed, Night Train to Munich (1940), an attempt to repeat the success of The Lady Vanishes with the same screenwriters (Launder and Gilliat) and characters of Charters and Caldicott. She was a warden in The White Unicorn (1947), a melodrama from the team of Harold Huth and John Corfield. "Since 1945 I had been sick of it there had been little or no improvement to me in the films I was being offered. Listing for: Sport Clips - Stylist - CA519. Moles, Mongolian spots, and cafe-au-lait spots are all considered types of pigmented birthmarks. It was one of the Gainsborough melodramas, a sequence of very popular films made during the 1940s. They were going to look after me as no one else had done before. [40][41] It was not popular. "All beauty marks are moles,"Neal Schultz, a New York City-based cosmetic and medical dermatologist and host of DermTV, explained. And why do people love them or hate them? She added, "But he obviously also found them sexy. Her most popular roles were as the spunky heroine of Alfred Hitchcocks mystery The Lady Vanishes (1938) and as the voluptuous highwaywoman in the costume drama The Wicked Lady (1945). The Truth About Beauty Marks. As such, the shape, color, and even texture can vary. Lockwood wanted to play the part of Clarissa, but producer Edward Black cast her as the villainous Hesther. A three-time winner of the Daily Mail Film Award, her iconic films 'The Lady Vanishes', 'The Man in Grey' and 'The Wicked Lady' gained her legions of fans and the nickname Queen of the Screen. Let us know if you have suggestions to improve this article (requires login). Job specializations: Beauty/Hairdressing. Yet much more than Leigh, especially after Scarlett OHara, Lockwood was the kind of girl youd want to walk home from the pictures in the blackout, or, if you yourself were a girl, walk home with arm-in-arm, dodging puddles and drunkenconscripts. (1937), again for Carol Reed and was in Melody and Romance (1937). Karachi-born Margaret Lockwood, daughter of a British colonial railway Before long, mouches made their way into politics. While its hard to imagine Carey Mulligan or Keira Knightley being asked to offer up a Romantic paean to life within a few minutes, the demand on Lockwood made sense during the live for now atmosphere of World War II and she pulled off the flow with sustainedintensity. With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing dcolletages. In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. Margaret Lockwood , the British film star and actress, seen outside Buckingham Palace with three American Servicemen who are ardent fans of Britain's. English actress Margaret Lockwood , circa 1935. Below are some glamorous photos of young Margaret Lockwood from her early life and career. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. Her RADA-trained voice was posh, of course, but not supercilious. The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. Lockwood never remarried, declaring: I would never stick my head into that noose again, but she lived for many years with the actor, John Stone, whom she met when they appeared together in the 1959 stage comedy, And Suddenly Its Spring. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. Margaret Lockwood lived at 18a Highland Rd, London. Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. What made her a front rank star was The Man in Grey (1943), the first of what would be known as the Gainsborough melodramas. As both parents were rarely around at that point, Julia spent the war years with her grandmother and a nanny. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. For Rowland, it all began with putting a dot of black Duo lash glue on her face. Named her after Gaio Giulio Cesare to commemorate her birth by Caesarian operation. The property has now been converted to flats. That year, she was created CBE, but her presence at her investiture at Buckingham Palace, accompanied by her three grandchildren, was her last public appearance. When the author Hilton Tims, was preparing his recent biography, "Once a Wicked Lady", a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, "Give her these from me. Lockwood so impressed the studio with her performance particularly Black, who became a champion of hers she signed a three-year contract with Gainsborough Pictures in June 1937. [17][18], Lockwood returned to Britain in June 1939. She lived her final years in seclusion in Kingston upon Thames, London. [26] In 1946, Lockwood gained the Daily Mail National Film Awards First Prize for most popular British film actress. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Hey Friend, Before You Go.. "Her mole is not part of any formal perfection, but it is also not an ornament," Greenblatt explained. She also had another half-brother, John, from her father's first marriage, brought up by his mother in Britain. Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of "The Beloved Vagabond". Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. It made her determined to be up on stage herself, flying through the air and fighting the pirates. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage, where she had successes in Peter Pan, Pygmalion, Private Lives and Agatha Christies thriller, Spiders Web, which ran for over a year. Seventy years ago, the British film industrys comparatively modest version of the Hollywood studio system meant that the national cinema had not, like MGM alone, more stars than there are in heaven, but enough to make up a small glittering constellation. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was an unfit mother.